Machine translation. This content was automatically translated from Spanish. The Spanish version is the only official one: for all legal purposes, and in the event of any discrepancy, the original Spanish text prevails. View the official Spanish version

THE SONIDE "THE BRUJO"

Frédéric Filiartre, composer and sound designer of the documentary El Brujo, offered a master class aimed at students and audiovisual and sound production professionals. During the meeting, she shared details about his creative and collaborative process in the construction of a soundtrack as well as the tools used to develop the project..

Filiartre emphasized that each audiovisual production challenges different challenges and that, in this case, the process was especially collaborative: the musical presence was modeling elements of the final narrative. He also explained the importance of communication between film and musical teams, stressing that "clear signs and requests are key to a musician's understanding of the goal and achieving a quick and effective production".

In his deepening of the creation of the sound universe, his composer explained that The Witch is a hybrid project, by combining digital elements with organic musical pieces that together make up the music of the film. The virtual tools used seek to emulate the instruments and physical resources of the time that the accounts of the story are developed..

The activity, free of charge, was held at the Carmen Cedeño Auditorium of Ciudad de Las Artes and was supported by the National Cinema and Audiovisual Direction of the Ministry of Culture. The documentary El Brujo, winner of the Fondo Cine 2017 National Competition (Postproduction Category), will have its premiere in Panama on 30 October 2025..

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