THE SONIDE "THE BRUJO"

For: Santiago Bernard Roquebert

Frédéric Filiartre, composer and sound designer of the documentary The Witch, offered an master class for students and sound and audiovisual production professionals. During the meeting, she shared details about his creative and collaborative process in the construction of a soundtrackas well as tools used to develop the project.

Filiartre emphasized that each audiovisual production challenges different challenges and that, in this case, The process was especially collaborative: The musical presence was modeling elements of the final narrativeHe also explained the importance of communication between film and music teams and emphasized that "clear signs and requests are key for a musician to understand his goal and achieve his production quickly and effectively."

In his deepening of the creation of the sound universe, his composer explained that The Witch It's a hybrid project, by combining digital elements with organic musical pieces that together make up the music of the film. Virtual tools used seek to emulate the tools and physical resources of the time that the story accounts are developed.

The activity, free of charge, was undertaken at Carmen Cedeño Auditorium of Ciudad de Las Artes and was supported by National Cinema and Audiovisual Section of the Ministry of CultureHe. documentary The Witch, Winner of the 2017 Fondo Cine National Competition (Postproduction Category)He'll have his premiere in Panama 30 October 2025.